This month, Eurovision exploded back onto our screens in all its campy, zany, extravagant glory. Broadcast from my hometown of Liverpool, millions of people across the globe danced and sang along to some predictably cheesy music – in my eyes, Finland were the clear winners. This celebration of diversity, inclusivity, creativity, and culture was a clear reminder that the human influence is invaluable for businesses – particularly as AI creeps further into our lives.

There’s an overall mix of curiosity around how AI can help companies, fears about it negatively impacting jobs, and pressure to regulate it as it grows more knowledgeable. It can perfectly replicate human voices, churn out content in seconds, and explain advanced astrophysics to a five-year-old. It can’t, however, replicate or replace the human touch, particularly when it comes to reputation shaping.

AI isn’t going anywhere. There are around 5,855 tools that have the potential to be used in PR currently available online, and that number will only continue to rise. But a reputation is curated through the business’ relationship with the public, and relationships are the foundation of the human experience. By working solely off data, AI tools lack the emotional intelligence, strategic thinking, and interpersonal skills that are so imperative in PR. If a business experiences a reputational setback, wants to improve media relations, or is looking for a creative new way to boost visibility, there is a need for soft skills that only us humans can bring to the table.

Eurovision is a perfect example of how the human influence shapes reputation. The longest-running annual international televised music competition, its reputation reflects its core value of uniting people and nations by showcasing musical diversity and cultural nuances. It is powered by human creativity and an understanding of culture, attracting audiences of over 180 million people across the world who share a wonderfully wacky and meaningful experience. Love it or loathe it, Eurovision’s reputation has an undeniably and overwhelmingly positive impact on visibility, cultural influence, and tourism.

When considering how AI can discern a brand’s reputation, the tools may be able to use their vast amounts of knowledge to gauge popularity, identify cultural differences, and calculate the positive financial impact Eurovision brings, but this information is gathered and collated through human input. Because AI lacks the aforementioned soft skills, its inability to think critically or creatively generates concerns surrounding ethics.

Firstly, if the human input is not neutral then the AI-based decisions are susceptible to bias or inaccuracies. This is especially concerning if a company is experiencing a reputational crisis, and neutrality and nuance are needed. One well-known example of this is the bubbling undercurrent of political tensions that surround Eurovision each year. Despite these, the event remains fiercely politically neutral, and makes every effort to bar highly politicised performances and promote peaceful relations, in order to avoid reputational damage.

Secondly, AI is inherently inauthentic, meaning that any creative ideas it suggests stem from human creativity. This also means that AI-generated content or ideas are more likely to result in plagiarism accusations, a serious reputational setback.

Thirdly, there are the ever-present fears around increased surveillance. Once an AI tool is fed a piece of information, it can never be retrieved and wiped from the database. If sensitive information is inputted, the tool has no understanding that it should not be outputted – and if that occurs, it makes for navigating some seriously tricky waters.

So, is AI the future of PR? It can certainly augment, but there’s no doubt that the human influence will continue to drive the industry forward. And with the countdown on until the next Eurovision in Sweden, ask yourself – would this be nearly as much fun with a glittery, AI powered, humanoid robot on the stage? Personally, I’d prefer to see another rendition of the classic Ukrainian entry circa 2007, “Dancing Lasha tumbai”. The contestants may be dressed like robots, but they are hilariously and undeniably human.